BOOBS and BACH: Discovering I Movie
The Super Story Behind “Boobs and Bach: Super Amanda Discovers I-Movie” :
“Brian my best friend and cameramen moved to Poland in Summer 2007 so there I was with a Powerbook, Imovie and some stock footage. It’s definitly novice city film making wise but as for view count it’s cleared well over a million hits so I must have done something right! The first shots in the Rita Hayworth sarong shorts or at a Mexican Cantina in North Beach, San Francisco. The shot of my bosom in the car was on our way back 80 singing Pete Townshend’s wonderful demo for “The Seeker” from his delightful Meher Baba tribute a disc “Who Came First” which cuts in for a few mystical seconds when I’m on the escalator at the Maida Vale tube station in London during summer 2006. I’m wearing “People for Peace Indian Dream catcher jeans with rawhide whip stitching up the sides and they were seriously tight! Most of the other shots are of my old neighborhood in Bethnal Green by the Old Shoreditch Church, Hackney near the Boundary bandstand. The Bach piece is the 4-part voice chorale “Wir essen und wir leben wohl” from Christ lag in Todesbanden. Paul Robeson actually does a splendid version with lyrics on his legendary Carnegie Hall disc. Brian recorded all four parts on piano to help himself learn the bass part. That’s actually him playing the piano. But among all the Boobs and Bach the most incredible thing is that they could not steal this video away with a bogus copyright claim which amazingly enough Zomba Label group claimed against me and for nearly five days I raged, along with my attorney, Brett Hampton, against the idiocy that is You Tube “copyright violation” until my video and suspended account were justifiably restored. So while this is not my most technical proficient clip it IS DEFINITELY my most controversial video.”
-Super Amanda
PLEASE CHECK OUT MY NEW EP: “KSK Featuring Super Amanda” now on ITunes, Amazon and CD Baby. Links are here
http://www.superamanda.blogspot.com/
“If we were to hand out some kind of ‘blog reader of the month’ award (perhaps “year” would be more apt), it would undoubtedly go to Super Amanda, a pneumatic (says here 40E) Tura Satana doppelganger and YouTube star based in San Francisco. ” -Playboy.com
Super Amanda is an American singer, actress, writer and internet personality from the San Francisco, Bay Area known for her skilled singing voice, vivacious personality and tall Amazonian hourglass figure. Her trained contralto voice boldly reinterprets the classic rock vocals of singers like Roger Daltrey, Freddie Mercury and Mick Jagger moving effortlessly from blues to metal to alternative.
Since Super Amanda’s January 2007 debut on you Tube her combined online video hits is over 10 million, all accomplished with no promotion apart from word of mouth. Currently her combined YouTube and Myspace video channels boast over 6000 subscribers.
Currently Super Amanda has just released her first EP on Itunes, Amazon and CD Baby for D.A. Sebastian independent director of “Hot Rod Girls Save The World” for a song called “Killing Machine” about Amazonian revenge; a potential perfect marriage of singer and song available in five mind boggling mixes including house techno and acoustic.
Amanda’s stage acting credits are too numerous to note here but include Opera Non Troppo’s “King Arthur” (2002) and “Dido and Aeneas” (2000) Super Amanda has also performed regularly at both The Starry Plough and LePena Cultural Center in Berkeley and at Columbia College Jazz Festival (1999).
In April 2006 Super Amanda made a very memorable guest appearance on British singer-songwriter Rachel Fuller’s live webcast chat show “In The Attic” appearing alongside The Who’s Pete Townshend and co-host singer-songwriter Mikey Cuthbert. Pete Townshend famously described Super Amanda to Rolling Stone magazine as being ‘larger than life.’
A visually exciting performer, her statuesque form and bombshell rocker ebullience offer a striking contrast to her down to earth intellectual side which is also a large part of her appeal as audiences know there will never be a dull moment when she takes the stage or sits down for a chat.
For More Vids Go subscribe to:
http://www.youtube.com/superamandarocks
Super Amanda has a moment of clarity while she learns the hills and valleys of home film making. Interestingly enough SonyBMG claimed they owned this very video back in October and had Super Amanda’s main account pulled
http://www.youtube.com/profile?user=BrickLaneBetty
AND interestingly enough Super Amanda’s pin-up nurturing LA based attorney, Brett Hampton, contacted them and all claims were expediently retracted.
The language of cinema is universal.
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